Daily Painting Sept 2017 :: No. 11 of 30

While painting my marsh the other day I had an idea for a glowing underpainting. Today's piece is all about that glow. Similar subject, new approach!

Daily Painting No. 11 of 30

3x3" oil on 5x7" oil paper

In class I caution my students about "noodling" the work. When you want the underpainting to show, noodling (or overworking) can't happen. Efficiency and confident mark-making are important. Too much smoosh and the underpainting is covered.

Daily Painting No. 11 of 30

3x3" original oil

The horizon glows with this method. I'm happy!

Thanks for reading!~kmw

Daily Painting Sept 2017 :: No. 5 of 30

I have five paintings lined up in my studio like a small parade and I love seeing them! We started in the imagined English countryside and have moved to New England.

Daily Painting No. 5 of 30

3x3" oil on 5x7" oil paper

After years of painting and critiquing I've learned I love small moments. It's a sort of mindfulness in life to notice intimacies around us all. These small paintings feel like snippets of the larger world. It's the world I love to notice. 

Daily Painting No. 5 of 30

3x3" original oil

Thanks for reading. Hope to see you tomorrow! ~kmw

Daily Painting Sept 2017 :: No. 4 of 30

When people ask where my paintings are from I am sometimes specific and sometimes vague. Many times the work can be from anywhere. The prior paintings of the #30in30 were of a typical imagined English countryside. Now where is today's painting from?

Daily Painting No. 4 of 30

3x3" oil on 5x7" oil paper

It'd be nice to say it's from my imagination, and while it sort of is, it is inspired by my glorious neighborhood. Living with nearly 200 acres of conservation land is an inspiring gift, and one that I count my blessings for every day. 

Daily Painting No. 4 of 30

3x3" original oil

 Queen Anne's Lace is in bloom now. It's the tail end of a long season of the wildflower. This year was magnificent. I'll need to buy a giant canvas and really do some of my photos and memories justice.

If you're on Instagram follow me @kimweineck and scroll back to see. I'm sure you'll find a lot of the neighborhood field. It's a sacred spot for me.

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 3 of 30

With each painting I learn new things - it's the best way to paint. The space in a painting is different than photographs, and it's fun to be the one manipulating the space by playing with color, line, and composition.

Daily Painting No. 3 of 30

3x3" original oil

This is the third in the imagined landscape of the English countryside. I love this palette! I'm having fun.

Daily Painting No. 3 of 30

3x3" oil on 5x7" oil paper

Happy Anniversary to me and Tim today, too. Happiness happiness! And keeping it short in the blog department. Stuff to do and fun to be had -- the benefits of anniversaries on holiday weekends :)

Thanks for reading! (Hope to see you again tomorrow) ~kmw

Daily Painting Sept 2017 :: No. 2 of 30

Today I am back on my imagined trip to the Lake District in England. This time I tried to get a little more about the light in my painting. I love it in person and the depth I was able to achieve. 

Daily Painting No. 2 of 30
3x3" oil on 5x7" oil paper

And I am having so much fun mixing paint and applying paint and smooshing it around on the oil paper! Fun!! 

Daily Painting No. 1 of 30
3x3" original oil

Happy Labor Day weekend! 

It's my 12th anniversary tomorrow. Goodness! I'd do it again in a heartbeat. The hardest thing about being married to Tim is finding a good anniversary card that isn't so dang sappy. I ended up with one with my favorite quote about relationships, written by Robert Browning "Grow old along with me; the best is yet to be!" Hard to believe it could get better but I do like that mindset :) 

Thanks for reading! ~kmw

Day #22 :: RIDE HOME :: January Daily Painting Challenge

RIDE HOME
by Kim Morin Weineck
original pastel, 6x6"

$125 + $8 shipping

This piece is inspired by the same day and drive of the previous post. The consistency of the shadow line on the distant trees alludes to that.

I remember a painting demonstration at a local art association years ago. The artist mentioned that when one looks at a painting, the time of day, season, sometimes month should be noticeable from the visual clues in the work. Color, light, and other timely hints let us know when the painting is meant to show. 

This January challenge really cements this idea for me. So many of the paintings are so obviously January and winter for me. The color of the light on this one is all January. 

A wise-guy in the audience told the demonstrating artist that his painting felt like a Tuesday. I don't think you can tell that! 

The colors in this painting are not as punchy as some of my other colors. The light gave an overall cast of blue to the piece, making for the grass in the field to be a difficult color to pin down. 

In the end, I love the result. It was nice to get back in the studio and spend some time really concentrating on a specific time. The next piece I'm going to post to bring me up to today is also from the same ride home.

Thanks for reading! ~kmw

Day #18 :: COLD SHADOWS :: January Daily Painting Challenge

COLD SHADOWS
by Kim Morin Weineck
original pastel, 6x6"

$125 + $8 shipping

Blue is my favorite color, and it is so prevalent during winter. The shadows, the sky, and the snow all feel so blue. Tonight I went out to shovel the four inches of snow we got last night and the light flakes all sparkled with crisp white and blue. Teeny electric blips of blue. It was beautiful -- but it was still winter and shoveling, so don't get me wrong ;)

This piece looks great on my bulletin board of work from this month. Next to yesterday's piece it is around the bend from that riverbank. My neighborhood inspires yet again. 

And how does this piece read? Is the blue water? Marsh? Field? It's not up to me. What I loved about this composition was the space and the light. 

Remember how I mentioned that new set of 200 pastels I bought at the beginning of the month? It's great -- but I need more blues! The Terry Ludwig Best of the Blues set of cobalts and ultramarines should do nicely. My birthday is in March, hint hint. :) 

Thanks for reading! ~kmw

Day #9 :: HUNTER :: January Daily Painting Challenge

HUNTER
by Kim Morin Weineck
original pastel, 6x6"

$125 + $8 shipping

Each day I place my pastel on the scanner bed and hit 'preview' and wait. The machine buzzes and whirs and I always cringe as I wait for the image to appear. Each day I am tense with questions. And so it goes....

Artists are like this, I think. We always second-guess what we make and how we feel about it. This back-and-forth effort may be why I'm so tired after painting. The conversations in  my head are intense deliberations of color and shape and mark. Back and forth. During the process there are intense highs (the beginning) and the yucks (the middle) and hopefully the whole mood elevates again as the piece progresses to the end. Of course there are the times you don't leave the yuck period, but there is always something to learn and so off to the next!

If it's not the apprehension of success in painting-making, then I have oodles of stress for the scanning and optimizing. UGH! Despite having had tons of practice, Photoshop and I have a fickle relationship. I do my best, heck, that's my life's motto!

Here is our puppy, Hunter (obviously). He's a hoot. I've always  been a dog person (although cats can be cool, too) and now we are the caretakers of this little stocky fellow. He's a great dog and we've been training each other on how to be owner and puppy. We go on walks in the conservation land in the neighborhood.

We are both in our element in this field. I find wild cranberries. He finds entrails from a coyote kill the night prior. I discover Fibonacci's sequence in the frost-kissed Sweet Woodruff and he delights on the frozen streams and chomps on chunks of ice. Of course it was only a matter of time before he'd show up in a painting. And look how small I made him!

Thanks for reading! ~kmw

Day #6 :: PATH AT DUSK :: January Daily Painting Challenge

PATH AT DUSK
by Kim Morin Weineck
original pastel, 6x6

$125 + $8 shipping

Today's painting was completed at dusk, which this time of year is like around 4pm -- too early! 

The girls were playing and I sneaked into my studio for some quiet time to think and paint and be on artistic auto-pilot.

My last two pieces, the Bright Bouquet and the Enamel Pitcher, were using a different brain for me. This painting today was back to my old painting brain but I was flexing my color muscle. I wanted to tweak the colors to read like that odd chilly light that is so very January. 

I think I communicated that light pretty well ;)

Thanks for reading!  ~kmw

Day #2 :: SNOWY TREE :: January Daily Painting Challenge

SNOWY TREE
by Kim Morin Weineck
original pastel, 6x6"

Sold!
Thank you!

January is chilly and snowy so far, but nothing too much that we cannot handle. It's been mild and unseasonably warm until recently. Again, the January painting challenge means I'm inspired by what I'm seeing. This tree was so beautiful with it's thin snowy garment. 

Artists always inspire me. Are you familiar with Marc Hanson? Superlatives don't do his work justice. His snowy paintings are impeccable. I think I had his work in mind when I created this piece. It'd be wonderful to take a workshop with him. Perhaps someday! 

Thanks for reading! -kmw

Day 32 :: WIND SOCK :: original pastel, 6x6"

WIND SOCK
by Kim Morin Weineck
original pastel, 6x6"

$125 + $8 shipping

The field in my neighborhood which I find so inspiring used to be an airport. Lucky for us, planes don't take off and land there any longer. We still see vestiges of the property's former use, like this pole for the wind sock, even though the fabric part has been long gone.

Again there is snow in this painting -- only a little, though. My previous post was at the start of a major named snowstorm. This one was a mere dusting early in the season. The time of day was dusk, which seems to be a favorite of mine lately. The light is blue. I think this piece holds a very specific light story.

I took liberties enhancing the colors in this piece. Blue is my favorite color, and it's pervasive here. The color relationships are the classic complementaries: blue and orange.

The sky is more dynamic in the original, with confident streaks coming down into the next subtle gradient. At the treeline is a subtle suggestion of a greeny-golden light. It really works with the turquoises in the piece.

The pile of references and notes and drawings in my sketchbook is massive, and I'm loving the discipline of daily painting. We'll see how long I can follow through. I'm bringing my pastels to visit my bestie in New Hampshire. I wonder that I'll take them out for tomorrow's painting....

Thanks for reading! -kmw

Day 31 :: SNOWFALL :: original pastel, 6x6"

SNOWFALL
by Kim Morin Weineck
original pastel, 6x6"

SOLD! Thanks!

It's October 1st and I'm still painting. Before September I painted often, too, but the discipline of making art daily has been a good exercise and is adding a little balance to my life.

This painting is from a stack of photos in my studio which I've been collecting for years. It's been such a joy to tackle these references and see them through to fruition. Excuse the subject of snow, it is only newly fall and the first of October, but this image was on the top of my pile and the colors were so appealing to me. I think it made a good painting.

Snow is tricky to paint. Cold paintings don't look warm and inviting. How can you make snow look warm and inviting? You have to play with the temperature. Cooler in the foreground and warmer as it goes back in space. This atmospheric perspective for white is the opposite of how we usually paint.

And again this is from the field near our home. It's such an inspirational place for me.

Thanks for reading! I'm off to teach my Thursday night class -- kmw

Day 11 :: YELLOW BARN :: #30in30 Painting a Day Challenge

YELLOW BARN
by Kim Morin Weineck
original pastel, 6x6"

$125 + $8 shipping

One thing I have been working on in my paintings is color. Specifically I'm working on enhancing the color in the shadows. I am trying to make the temperature of the color as well as my selection of hue more interesting.

In this piece from a farm near our home the barn was in shadow overwhelmed by bouncing light from the ground. Yellow is a tricky color to make cool and warm and dark and light. Yellow always seems light! The yellow in light is bright and whitish like lemonade. This yellow is deep as I tried to portray the shadow version of yellow.

You'll also notice the greens in the piece. Cool temperature greens lean toward blue. Warm greens are filled with yellow and orange. I hope you can tell where the shadow line from the barn is quite clearly. And there is one stone that shows sunlight as the rest of the stone wall is in shadow. A fun and quite tricky piece for my eleventh day of painting every day in September! 

Thanks for reading! -kmw

Day 10 :: MARSH FOG :: #30in30 Painting a Day Challenge

MARSH FOG
by Kim Morin Weineck
original pastel, 6x6"

at The Drawing Room, Marion, MA

It's day 10 and it's quite something to see my paintings all lined up on my studio shelf. If you'd like to see my work for this September challenge, take a look at my website and click on the #30in30 page. I'm uploading my new paintings there nearly daily.

When I look at my #30in30 paintings I am struck by the amount of contrast of dark and light that comes through. When my students discuss possible painting subjects, one constant we discuss for success is that the work should have a distinct light story. When a piece is from sunset it's easy to know the light story is the drama of the brilliant sky against the darkening land.

Sometimes the light story is that there is no light story. This is acceptable as long as it's deliberate. In today's painting the marsh is fogged in. The greens in the distance become blurred together. There is little contrast. It's a great study in greens and edges and feels like fog. In essence it's the perfect explanation of a light story telling  a deliberate story of having little light. In this foggy day, the light story is diffused.

Two notes:
I've had questions about an exhibition of my paintings for this challenge. In October I'll be hosting an open studio event at my home. More on this to come!

Yesterday I was signed on by Palette Fine Art Gallery in Sandwich, MA. I'm excited to be among their talented artists. If you're in that area on Cape Cod, please do stop by!

Thanks for reading! -kmw

Day 5 :: TWO TREES :: #30in30 Painting a Day Challenge

TWO TREES
by Kim Morin Weineck
original pastel, 6x6"

Sold! 

Day five is a whirlwind --- it's Labor Day weekend and there's fun to be had! I'm off with family for barbecues, walks, conversations, and making great memories.

This painting was fun and a challenge. The entire scene was green! I'm trying to make the color more interesting. My students will also recall that foregrounds are often tricky. The resolution of this one made me quite happy.

Those who live in our happy neighborhood may recognize these two trees. I've painted them before in nearly all seasons. My suspicion is that I'll revisit this scene before the month of September is over.

Thanks for reading! -kmw