Day #13 :: THROUGH THE TREES :: January Daily Painting Challenge

THROUGH THE TREES
by Kim Morin Weineck
original pastel, 6x6"

$125 + $8 shipping

Our neighborhood is an enchanted place. Being an artist, I spend my time looking at things around me seemingly with a viewfinder in my mind taking snippet notes of my surroundings and thinking "someday it would be nice to paint something or other...."

This daily painting challenge makes the 'someday' turn into TODAY! 

Tonight's painting is from the marshy area on the Charles and Mill rivers in our neighborhood. As you drive home at sunset/dusk/twilight, the light coming through the trees creates this magical twinkling of the spectrum. 

During winter this color show is vibrant with only silhouetted evergreens and the tree branches. I find the scene foreboding and yet also hopeful simultaneously, such a contrast of feeling, much like the painting construct is a contrast of dark and light and of warms and cools. 

I have SO MANY IDEAS swimming through my mind. Maybe tomorrow I'll have some time to fledge them out a little more fully. Bigger pieces are jonesing to be painted. I taught an oil painting class today and their buttery quality made me want to get smooshing around some oils. We shall see....

Thanks for reading! ~kmw

Day 26 :: DUSK :: #30in30 Painting a Day Challenge

DUSK
by Kim Morin Weineck
original pastel, 6x6"

at The Drawing Room, Marion, MA 

When I ask what painting subjects people would like to see, the response is often twilight skies and night scenes, and that is a tall order. Painting night and unusual light may be the last subject painters can call their own. Before cameras, artists were the recorders of light and history. With no imperative to record what is seen in a time when we are overwhelmed with visual imagery, dusk, dawn, twilight, and night are still open to wide artistic interpretation. For me, the camera can't quite capture the essence of unusual light. 

In class I often mention that the best reference for me to work from is a terrible photo and my own sketches and notes. When the photo is a crisp and accurate representation of what I'd like to paint, I feel compelled to recreate exactly what I see and become a human photocopy machine. 

References at the times of day that light is tricky for a camera -- dusk, dawn, twilight, night, etc. -- are often the best of photos to work from to make good paintings. The photos are grainy and dark. The color is exaggerated or underwhelming. It's all about interpretation, and that is when artists get to show off their creativity. 

As I've mentioned before, our neighborhood includes a fantastic field which has been featured in six of my prior #30in30 paintings. As September comes to a close, the light continues to change and darkness comes earlier. Our late summer sunset walks are now at dusk and twilight, even when we start them earlier. The color has changed and the greens are browning. I was struck by the colors during a walk in the field. Purple seemed everywhere.

As homes in the neighborhood turn on their lights, there is a new flicker in the landscape. You'll see that first beacon in the distant tree line. When I saw it, I knew I had my next painting subject!

Thanks for reading!  -kmw

Marshland twilight with bonus girlies

Twilight is a bit later than sunset, right? I love the subtle nuances between sunset, twilight, and dusk. The light for each is a challenge to capture because it's changing at the speed of...well...light!

©2011 Kim Morin Weineck
MARSH TWILIGHT
original oil, 8x8"
available at Gallery9, Oct 7, 2011

Here is another in my Marshland series. In person the foreground reads a little more resolved than my photo. My skills in taking photos of my work are improving, but I still have lots to learn.

In keeping with yesterday's post, here's a bonus picture of my girls playing in their room. Love them and their awesomeness! While typing this post, Pippa just came in and kissed me. What fun!

©2011 Kim Morin Weineck
THE GIRLS AT PLAY IN PIGTAILS

Thanks for reading!
kmw