Daily Painting Sept 2017 :: No. 16 of 30

Nocturnes make their way into my work every so often. In past #30in30 challenges, I see the nocturnes pop up. They are favorites of my patrons and I should do more. It's a difficult thing for me to paint because night isn't about color so much and you have to work from life and from memory. This can be done, but it takes more effort.

Daily Painting No. 16 of 30

3x3" original oil

And so here is a marsh I love and have visited and painted often. For today's painting I looked at paintings from the day and made the scene into night. Ha! What exhausting fun that was!!

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 15 of 30

Halfway! Hurray!

My studio wall has a parade of artwork and I'm excited. Halfway feels great. Oils have been challenging me lately. They're slower than pastel and the color isn't as direct. I have to mix it and often it's not as bright or something or other as I'd like. These small works are making a big difference and that's what I'd hoped.

And today is a marsh with notes and color as I've visited in the past, but today it's with more editing.

Daily Painting No. 15 of 30

3x3" original oil

Simplify!

It can be said for so many things in our lives. And it certainly holds true in painting. 

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 14 of 30

Last post I discussed color and how fun it can be to see color in the landscape, especially when one color seems to predominate. Green is like this in summer. It's everywhere and in order to make interesting paintings, artists need to look beyond it while also looking deep inside it to make it interesting for the viewer.

Daily Painting No. 14 of 30

3x3" original oil

Here's a great example of seeing beyond the colors that are there. It isn't green here right now, but it doesn't look like this either. What fun to make a new color vocabulary for a spot! 

Small works this September are giving me space to stretch. I love this!

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 13 of 30

While I've always used my palette knife to get paint mixed well, this challenge of daily paintings on a small scale have me applying the paint with the knife. The thickness of the paint is fun and attractive on these small works. 

This sunflower piece is from Tangerini's Spring Street Farm in Millis, MA close to where we live. What a treasured spot with farmers who like artists so close by and a true source of inspiration for me!

Daily Painting No. 13 of 30

3x3" original oil

I always like finding assorted colors in the greens out there, too. Seeing color is such a fun part of being an artist. I'm blessed to keep working on it everyday. 

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 12 of 30

Simplicity in painting is difficult to figure out for me. I see all of the minutia and want to reference all of it. In my studio, the most frustrated I get is when I'm putting in too much and can't make it work.

Daily Painting No. 12 of 30

3x3" oil on 5x7" oil paper

This piece is about simplicity. What color is in the distance? What about the sky? These studies are teeny at 3x3" and I don't have a lot of wiggle room to convey everything. How can I made it work?

Oils, too, are tricky. Imaging painting with smooshes of colored butter. Lines aren't as easy to make. Hard edges get blended. Color ends up in color. It's a joyful medium when you let it do its thing. I love it hate it love it again numerous times in each painting.

Daily Painting No. 12 of 30

3x3" original oil

My struggle here ended in a nice spot. I love the color and light harmonies. Feels like September in my neighborhood field, just like I had wanted.

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 11 of 30

While painting my marsh the other day I had an idea for a glowing underpainting. Today's piece is all about that glow. Similar subject, new approach!

Daily Painting No. 11 of 30

3x3" oil on 5x7" oil paper

In class I caution my students about "noodling" the work. When you want the underpainting to show, noodling (or overworking) can't happen. Efficiency and confident mark-making are important. Too much smoosh and the underpainting is covered.

Daily Painting No. 11 of 30

3x3" original oil

The horizon glows with this method. I'm happy!

Thanks for reading!~kmw

Daily Painting Sept 2017 :: No. 9 of 30

Before I get into my painting, FYI: my local art classes are going to start up again the week of September 19th. Zullo Gallery is a fantastic spot and I'd love to have you join us! Thanks! 

Little makes me feel like an artist as much as painting nocturnes. In past 30in30 series, I've painted nocturnes and written about how I find them one of the last things artists have over photographers. 

Daily Painting No. 9 of 30

3x3" oil on 5x7" oil paper

Sure, artists can take photos at night, but it's the artist who can really describe the scene vividly. Again, this is inspired by my neighborhood, but with some dramatic liberties because it's fun to take liberties. 

Daily Painting No. 9 of 30

3x3" original oil

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 8 of 30

It took eight days for me to get back to the marsh. It's one of my favorite favorite places to be.

Daily Painting No. 8 of 30

3x3" oil on 5x7" oil paper

The more I paint, the more I enjoy taking risks and chances with my paintings, especially when the works are small. They aren't as precious and decisions stand out. 

Daily Painting No. 8 of 30

3x3" oil on 5x7" oil paper

I need to do more of this on a larger scale!

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 7 of 30

My brother married a wonderful woman 15 years ago this month. With a last name like MacIntosh, there is little doubt of her heritage.

My brother composts his grass clippings and other compostables in a big pile hidden by some strategically placed shrubs. During a recent visit, my nephew asked me to see the volunteer pumpkins that have grown from the compost (my favorite part of composting is the bevvy of volunteer plantings). The pumpkins and gourds are great, of course. What caught my eye were the thistles!

Daily Painting No. 7 of 30

3x3" oil on 5x7" oil paper

How appropriate in a house with Scottish heritage that beautiful thistles bloom in their compost!

Daily Painting No. 7 of 30

3x3" original oil

It caught my eye and I had to paint it, all loose and fun with the sky behind. Something is fun about smooshing around paint. This one was particularly smooshy!

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 5 of 30

I have five paintings lined up in my studio like a small parade and I love seeing them! We started in the imagined English countryside and have moved to New England.

Daily Painting No. 5 of 30

3x3" oil on 5x7" oil paper

After years of painting and critiquing I've learned I love small moments. It's a sort of mindfulness in life to notice intimacies around us all. These small paintings feel like snippets of the larger world. It's the world I love to notice. 

Daily Painting No. 5 of 30

3x3" original oil

Thanks for reading. Hope to see you tomorrow! ~kmw

Daily Painting Sept 2017 :: No. 4 of 30

When people ask where my paintings are from I am sometimes specific and sometimes vague. Many times the work can be from anywhere. The prior paintings of the #30in30 were of a typical imagined English countryside. Now where is today's painting from?

Daily Painting No. 4 of 30

3x3" oil on 5x7" oil paper

It'd be nice to say it's from my imagination, and while it sort of is, it is inspired by my glorious neighborhood. Living with nearly 200 acres of conservation land is an inspiring gift, and one that I count my blessings for every day. 

Daily Painting No. 4 of 30

3x3" original oil

 Queen Anne's Lace is in bloom now. It's the tail end of a long season of the wildflower. This year was magnificent. I'll need to buy a giant canvas and really do some of my photos and memories justice.

If you're on Instagram follow me @kimweineck and scroll back to see. I'm sure you'll find a lot of the neighborhood field. It's a sacred spot for me.

Thanks for reading! ~kmw

Daily Painting Sept 2017 :: No. 3 of 30

With each painting I learn new things - it's the best way to paint. The space in a painting is different than photographs, and it's fun to be the one manipulating the space by playing with color, line, and composition.

Daily Painting No. 3 of 30

3x3" original oil

This is the third in the imagined landscape of the English countryside. I love this palette! I'm having fun.

Daily Painting No. 3 of 30

3x3" oil on 5x7" oil paper

Happy Anniversary to me and Tim today, too. Happiness happiness! And keeping it short in the blog department. Stuff to do and fun to be had -- the benefits of anniversaries on holiday weekends :)

Thanks for reading! (Hope to see you again tomorrow) ~kmw

Small works :: Cumulus

Clouds are fun to paint with their flat bottoms and their multiple layers and atmospheric perspective of distance. What a challenge - but a fun one! This pastel was the first of the clouds I had done and sold right away. I reworked another that I posted earlier in this Small Works series. It's fun to revisit a subject because new things are learned the second go 'round.

©2012 Kim Morin Weineck
CUMULUS
original pastel, 6x6"
framed to 10x10
available

Email kimweineck@gmail.com for more information on this piece.
Thanks for reading!~kmw

Small works :: Single Cedar

Making green believable in the landscape is tricky. 

Creating a landscape a viewer can enter into and feel the space is a challenge. 

Evoking a mood from the atmosphere is often critical to the success of a painting. 

Taken together, these elements of painting are addressed with each painting and excite me to my toes. Off to the studio!

©2012 Kim Morin Weineck
SINGLE CEDAR 
original pastel, 6x6"
framed to 10x10
available

Email kimweineck@gmail.com for more information on this painting.
Thanks for reading!~kmw

Small works :: Starlight Mint

If you have been following my Small Works postings on this blog you will recognize this favorite subject of mine: red and white. My goodness, this wee mint sits on my desk with other treasured still life objects. Once Tim tried to eat it -- I think he still can recall my scream. Ha! Important for future happiness: Don't eat the still life!

©2012 Kim Morin Weineck
STARLIGHT MINT
original pastel, 6x6"
framed to 10x10
available

Email kimweineck@gmail.com for information on this painting.
Thanks for reading!~kmw

Small works :: Sky Afire

Despite the fact that I often discourage my students from painting sunsets because it can be difficult to make a sunset painting look believable, here I present another sunset painting! In the previous post I referred to the juxtaposition of dull and bright colors and this is another example of the same theme. In person the colors are brighter and duller simultaneously. Try as I might, this is the closest to accurate I could get.

©2012 Kim Morin Weineck
SKY AFIRE
original pastel, 6x6"
framed to 10x10
available

Notice my friends, the cedar trees, at the middle right of the painting? I also liked the loose details in the distant bank of land.

Email kimweineck@gmail.com for more information about this painting.
Thanks for reading!~kmw

Small works :: Cloud Strata

Clouds and sunsets in the landscape offer such opportunity for an artist to use colors in bold new ways. This subject had me reaching for the oft-unused sticks of color: orange, magenta, bright yellow (!) and couple them with the grayed blues and greens. Who wouldn't have fun doing that? Want something to appear brighter? Surround it with darker, duller tones. Wham! Bright gorgeousness!!

©2012 Kim Morin Weineck
CLOUD STRATA
original pastel, 6x6"
framed to 10x10
available

Email kimweineck@gmail.com for information on this piece.
Thanks for reading!~kmw

Small works :: Bird Island

As an artist-member of the Marion Art Center I'm invited to contribute artwork to their shows. The Holiday Shop is a favorite! Bird Island is the local lighthouse and looking at this painting makes me pine for summertime. Ahhhhh.

©2012 Kim Morin Weineck
BIRD ISLAND
original pastel, 6x6"
framed to 10x10
at the Marion Art Center's Holiday Shop

Thanks for reading!~kmw

Small works :: Late Summer Marsh

This marsh on the North Shore of Massachusetts is a continuous source of inspiration for me. A delightful spot with ever-changing color and texture, I get giddy driving there anticipating what I'll see at various times of the year. 

©2012 Kim Morin Weineck
LATE SUMMER MARSH
original pastel, 6x6"
framed to 10x10
available

Email kimweineck@gmail.com for more information on this painting.
Thanks for reading!~kmw

Small Works :: Red Summer Sky

The same spot as a prior post, these trees silhouetted by the changing sky have been holding my interest of late. So beautiful - and sort of intimidating to paint - and such fun!

©2012 Kim Morin Weineck
RED SUMMER SKY
original pastel, 6x6"
framed to 10x10
available

Email kimweineck@gmail.com for more information on this painting.
Thanks for reading! ~kmw