Showing posts with label painting water. Show all posts
Showing posts with label painting water. Show all posts

Wednesday, September 7, 2016

Day 7 :: RIVER VIEW :: September Daily Paintings


RIVER VIEW
original pastel, 6x6"
©2016 Kim Morin Weineck
SOLD!

Today I set out to make a painting early and completed this view from the same spot as yesterday's painting. Marshes make me happy and, since I have been feeling a bit wiped out, why not embrace what I do love to paint? 

What do you think? A whole #30in30 of marsh views? I would simply love to do that. Thirty of the same view but taking chances with colors and marks. Hmmm. Food for thought, surely. Marla Baggetta made 100 variations of a same landscape. I was quite inspired by her when I first found this blog post years ago. Would it hold interest (mine and yours?) I wonder....


RIVER VIEW
original acrylic, 18x18"
©2016 Kim Morin Weineck
The pastel was fun to paint, as usual. The colors are exciting to select. SO MANY GREENS! And when I tackle a subject like this SO MANY BLUES (and for both instances: never the right one). A challenge today is to paint something along the lines of yesterday and make it a painting in its own right. It's difficult not to look too much to yesterday.

The acrylic was also fun -- as opposed to yesterday's angst-ridden marsh scene. I was approaching acrylic painting the same way day in day out. Finally I had to tell myself: If nothing changes - NOTHING CHANGES. I held my brush differently and mixed colors differently. The acrylic always comes first in my daily painting regimen. Maybe I stop doing them? So many questions today!

 PRICING NOTE:  I am taking this challenge to heart and taking risks. The work created is a labor of love and learning. For this #30in30 challenge my pieces are experiments and priced accordingly. Each piece is A BARGAIN at only $50 ($10 shipping if you're not local) rather than $125 for my usual gallery-worthy work. Only my pastels will be available at this time. Email kimweineck@gmail.com to purchase. Of course, thank you! 

Thanks for reading! ~kmw






Sunday, January 17, 2016

Day #17 :: RIVERBANK :: January Daily Painting Challenge

RIVERBANK
by Kim Morin Weineck
original pastel, 6x6"
$125 + $8 shipping

The sixteen prior daily paintings are all lined up hanging on a bulletin board in front of my desk and it's quite something else to see an expanse of work so obviously inspired by winter -- with the exceptions of only two florals on days four and five and one rogue Swanboat painting.

Today's piece is no exception to the #embracewinter hashtag I've been using on Instagram for the past few winters. Winter and I have a difficult relationship. It's of course beautiful. White snow makes everything look clean and crisp and blue. The light is purer in winter, without the humid haze of high summer.

Funny that--we have high summer and deep winter.

Winter does me in, though. I get cranky and a bit sad. Often it seems like so much is harder. And there's little light. We wake in the dark. The girls are off the bus and it seems that darkness comes upon us so quickly.

Good therapy for embracing winter is to approach it with mindfulness, and I think painting is a perfect example of mindfulness. I have been taking time to examine the winter landscape and the light, although seemingly fleeting, and have been admiring its glory. The paintings from this month really embrace that.

Thanks for reading! ~kmw

Monday, May 6, 2013

Blue Boat

Lately I've overheard conversations about marsh paintings and how everyone does them. Ah, yes, they're a popular landscape subject. This past weekend I was in an art show -- of course, showing some marshes. Perhaps I was thinking of this when I started recently taking on new subjects! The past month, after taking a workshop with Deb Quinn-Munson which focused on painting water, I found myself drawn to references I had been keeping at bay for someday in the future.

©2013 Kim Morin Weineck
BLUE BOAT

original pastel, 16x8"
Seems that that some day is now. This boat pastel and three others in this vein are now resting on my dining room chair rail for my critique. It's nice to sit with a piece for a spell and examine it at odd times. I'm learning so much with each study.

This piece sold right after I put it on my Kim Morin Weineck's Art Facebook Page. If you're interested in a piece, please always feel free to message or email. I'll be in touch ASAP!

Thanks for reading -kmw

Thursday, April 18, 2013

A Walk on the Beach

This panoramic pastel was painted on a Saturday afternoon in my backyard. Before you think we live on the beach, I painted it from a series of drawings and photo references I had from this great day in Eastham, MA a couple of summers ago.

©2013 Kim Morin Weineck
A WALK ON THE BEACH
original pastel, 31x14"
I've had such a hankering to do some oil painting, but my pastel supplies were out and I figured I'd give it a go. Today's gorgeous and my kids are on vacation. Perhaps I'll work this up in oil today, again painting in my backyard. Could be a fun study in differences of the two mediums and more practice on my figures -- albeit teeny tiny ones.

Thanks for reading! -kmw

Wednesday, April 10, 2013

Continuing Education :: My 2nd Workshop with Deb Quinn-Munson

The Foxboro Art Association hosted a workshop with Deb Quinn-Munson Saturday, April 6, 2013 at Studio East, Walpole

Deb Quinn-Munson begins with an oil underpainting on
Wallis (or UART -- can't remember which) paper

Having attended last year's workshop, I was excited that Deb was invited back to lead a class focusing specifically on techniques for painting water.

Deb had great information to share about water like this quote by Don Demers: " Study the water until you understand what it looks like, then paint how it feels." It's fun to think about things like that.



Deb develops her watercolor underpainting
This was a new thing for me. I had no idea you could use watercolor
paper for a pastel painting. The heavy paper  grabs the pastel well,
even without a sanded ground. Learn something new every day!

Deb also discussed her "80/20 Guide" with us, asking us to consider this 80/20 ratio when making decisions regarding composition, shape, value, color, line, texture, and rhythm.

We have so much to think of when making good paintings. Often this is done intuitively, but Deb's insight encourages artists to slow down and consider the options for deliberate choices -- a smart thing to do, and one I certainly don't do enough.


The painting with the introduction of pastel shows lovely sparkle.


A few things Deb said have that continue to sit in my head:

*What will make someone walk across a room to see the painting? Of course you should choose the options that would do that!

*Think about elements in your painting playing specific roles. What is the lead? What is supporting the lead? Have these firmly decided and make marks/decisions that assist the roles.

Pastel painting by Deb Quinn-Munson -- what shimmer! 


As important as composition is, Deb mentioned that composition doesn't get credit for its role in good paintings. No one really says, "Wow! What composition in that painting!" The glory usually goes to color.



Workshop in full swing with everyone painting!


She encouraged us to be deliberate with our marks and to make bold, decisive paintings:
"You only get to hit it once -- maybe twice. That's it."



Here's the start to my painting. I was trying to be
deliberate and ended up a bit tortured at this stage. 

Right now my painting is leaning on my dining room chair rail so I can take it in at odd times of the day. I want to sit with it a bit more. When I'm content with it, I'll post it here on this blog.


Deb Quinn-Munson and I at the end of a great day


The day ended all too soon with creative juices flowing! Perhaps Deb will be invited yet again to instruct another aspect of pastel painting. I know I'd be signing up for it.

Thanks for reading! ~kmw


Thursday, April 4, 2013

"Speckled Beach Sand"

©2013 Kim Morin Weineck
SPECKLED BEACH SAND 
original pastel, 12x9"
available at South Street Gallery
Water and the beach! It's April and I'm a summer girl. Seeing this piece brings me back to the beach.
Can't wait for June.

This piece was the first time I experimented with an oil underpainting. When viewed up close, there are some rivulets of color that make the water particularly pretty cool.

Thanks for reading! -kmw

Tuesday, July 10, 2012

6x6" Pastels for summertime

It's been a great summer weatherwise and artwise. Setting up my easel in the backyard and overseeing my young girls play is like a sort of art utopia which seems to get my creative juices flowing!

These 6x6" pastels are something I love to do. When seen together I am really excited about how they look. 
If you're interested in any, let me know and I'll put you in touch with the gallery that has them. Each is $125 framed to 10x10" in a simple squared gold frame with a white mat.

©2012 Kim Morin Weineck
FOGGY BEACH DAY
original pastel 6x6,  framed 10x10"
available

©2012 Kim Morin Weineck
BEACH GRASSES
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
BEACH HOUSE 
original pastel, 6x6" framed 10x10


©2012 Kim Morin Weineck
BIKE REST 
original pastel, 6x6" framed 10x10



©2012 Kim Morin Weineck
SUNSET AT THE POINT 
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
COVE ENTRY 
original pastel, 6x6" framed 10x10


©2012 Kim Morin Weineck
MARSH COLOR 
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
BLUE MARSH WATER VIEW
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
MARSH LIGHT SPARKLE
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
PINK CLOUD REFLECTED
original pastel, 6x6" framed 10x10
Sold!

©2012 Kim Morin Weineck
SUMMER FLOWERS 
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
SUNSET 
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
TWO BALES AT SUNEST
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
THE POINT 
original pastel, 6x6" framed 10x10

©2012 Kim Morin Weineck
TWO CEDARS 
original pastel, 6x6" framed 10x10


©2012 Kim Morin Weineck
MARSH WITH CLOUDS 
original pastel, 6x6" framed 10x10
Thanks for reading! ~kmw