Kim Morin Weineck's Art: painting shadows

Showing posts with label painting shadows. Show all posts

Wednesday, September 16, 2015

Day 16 :: RED BARN :: #30in30 Painting a Day Challenge

RED BARN
by Kim Morin Weineck
original pastel, 6x6"

SOLD!

This barn has lovely funky angles. At sunset the angles are more pronounced with shadows hanging and falling to accent the angles even more. Offset by the lush greens in the landscape and the gorgeous blooms in front, I think it's obvious why I'd have to paint this scene!

Full disclosure: Argh!! This piece caused me a bit of trouble. Red when lightened is often pink or orange. It's pretty tricky. In shadow colors are cooler. Cooler red is purple. I have so many tones here in the barn reds that I am not used to using. My usual color palette wasn't accessible to me for this building, much as I mentioned in the post for the yellow barn.

Apart from the color, the rigid lines of architecture can be tricky to make feel painterly. It's a bunch to juggle. And so this piece sat on my standing desk waiting until I'd try it again. Feels good to have resolved it.

Friends of ours showed me this place and I was instantly smitten. Instantly! It is magical all times of day all times of year. More paintings will come from this place if all goes according to plan. I pray it all works out and soon! (It's fun to be cryptic.)

Thanks for reading! -kmw

Sunday, April 6, 2014

RED BARN :: 8x10" pastel

I've visited this particular subject before and so I enjoyed pushing the color and revisiting it in numerous tries each time making new color experiments. So proud of the blues in the shadows, particularly on the left side. This piece is on archival pastel board and looks more vibrant in person -- if possible!!

Thanks for reading! -kmw

Saturday, June 15, 2013

Going grander

Some wonderful things happen in my paintings when I work small. The scale of my mark is grand in small works, so the little marks I make mean something. Everything is large and effective for me when I work small. Scaling things up is tricky. I don't do it easily. The simple large stroke with the side of a brush or pastel in a little painting doesn't have the same 'umph' when you are working larger.

To improve my larger works, I've been working up studies in smaller sizes and then creating the larger works once the smaller piece is successful. With the small piece I can work out the glitches, take a chance without so much risk, experiment, and try something freely. When the pieces are successful, then on to the larger surface. It's an academic approach.

In the past I've done thumbnails and value studies, but the studies I'm working on now are more complete small works.

At one time I told my husband that I thought today's larger painting "Dianne's Flowers" was probably going in the trash -- it was coming along that poorly. Listening to the advice I often tell my students, I forced myself to work through the 'yuck' period and finally saw the possibilities of the piece. When Tim saw the painting again he said, "Ah! You brought it back from the dead!" It was totally affirming.

Thanks for reading! -kmw

Monday, September 17, 2012

Embrace autumn?

Much of my posting extols the glory of summer. My goodness I'm such a summer girl!

Fall is pretty - of course it is - with its perfect weather, cool nights for easy sleeping, gorgeous pink light and beautiful clouds and colors. Wow. It's the oncoming decline in temperatures and the diminishing light which make me glum.

And then there's the season next on the horizon, but let's keep that in the ether for now. We can call that time of cold and snow 'the-season-that-shall-not-be-named.'

As a painter I cannot help but be inspired by this weather and color and change in the light. Last week I finished this piece.

While I worked on it while the girls were in school (a MAJOR change in my life's schedule) I thought about my autumn angst and some of it abated but only for a fleeting moment.

Thanks for reading! ~kmw

Sunday, August 5, 2012

Busy art-filled days

Summer is flying by and this weekend was such a blur my head is spinning.

Starting Friday night art has dominated everything including this very instant as I wind up the weekend with this blog post.

Gallery9's First Friday show was great. Met up with some wonderful people - including someone from high school (thank you, Holly, for coming!) and some family from quite a distance - and sold some work that I'll miss.

Saturday afternoon I connected with Monica Lee of Smart Creative Women. We'd been in touch previously and she had asked me to be interviewed for her website. Saturday was the day and what a great time it was to sit with Monica and talk about art, art careers, and all sorts of things. The interview will air sometime in September. (Of course I'll be letting you know when.)

Sunday wrapped up with some time painting in my yard with the family. My girls played in the yard with the kiddie pool, water table, and slip 'n slide - never did like the slip 'n slide when I was a wee girl it just meant bruises and friction burns but my girls do love it. Tim washed the house. (You read that right - the house. It looks amazing now. Wow, what a job! )

Painting time today was fruitful as I completed a few things that had been sitting waiting to be deemed finished (the part of a painting that I find most difficult.) I completed one piece alla prima, Clouds and Color, and went on to do a wee study of a window box because I've been toying around with working on a large series of works with these window boxes.

I had such fun this weekend and am exhausted. Who doesn't like going to bed spent from a busy weekend? Makes me want to change the sheets, jump into that cool, pristine bed, and sleep like a baby thinking of the promise of the week ahead. Ah....

Thanks for reading~kmw